A Comparative Analysis of the Movie 300 and Herodotuss The Persian Essay

A Comparative Analysis of the Movie 300 and Herodotuss The Persian Wars - Essay ExampleHowever, the movie committed major deviations from Herodotuss historical accounts of the Persian Wars. This paper attempts to discuss the differences between the film 300 and Herodotuss account of the last stand at Thermopylae in ground of military tactics, naval engagements, and religion. In the movie, the King of Sparta, Leonidas, and his best soldiers confront Xerxess enormous army at the northern Greeces narrow pass and bravely restrain the Persians. And the age-old motivating importance of sacrifice has been preserved. Hence, for people who think that the merit of a film is established firmly by its episodes, and that the value of its rhythm, visuals, acting, screenplay, and historical accuracy argon merely icing in the cake, the 300 will be worth a watch. However, for people who think that rhythm, visuals, acting, screenplay, and historical accuracy correspond the true success of film, t hat a setting is merely the objective, and that the objective should never be confused with the action, the 300 is a quite worthless film. Military tactics In the film 300 Leonidas is depicted as planning to carry his 300 elite soldiers to Thermopylae to crush the Persian army and stand up for freedom. Leaving behind the unsophisticated principle of justice, rationality, and freedomthe Spartans, similar to otherwise Greeks, had a history of trying to subjugate if not really colonize other populations when it served their goalsit is nonsensical to propose that an exceptional Spartan commander like Leonidas would think that his elite army of 300 could spoil the ambitious goal of tens of thousands of Persian soldiers. The transport of Leonidas is not convincing or believable. The real last stand of the 300 as a hold-back strategy is historical and plausible. Some of the depictions of the military strategy are historically inaccurate. For instance, the filmmakers chose to reduce the Spartan body armors to their symbolic and basic aspects weapons, shields, cloak, and headdress. The outcome is superhuman images, hoplites stripped of body armors. Any Greek fighter would refuse to go to war without some kind of upper body shield. There are other historical inaccuracies. Ephialtes, the Greek who double-crossed the Greek army, is shown as a badly twisted Spartan recluse whose betrayal stems from the refusal of Leonidas to permit him to take part in the battle. Gorgo, the wife of Leonidas, who was trivially mentioned in the historical accounts, is granted with a very measurable role. The domestic political schemes in Sparta are entirely fictional. The route at Thermopylae is depicted as an extremely constricted crevice between vertical rock faces. The Greek forces are depicted advancing south of Sparta but Thermopylae is located at the northern part of Sparta. Illusory creatures appear either now and then, like the giant elephants and rhinoceros, at the battle. Th ese are imaginary additions. The documentary The Last Stand of the 300 accurately describes the military strategies at Thermopylae. Most of the descriptions are in line with Herodotuss accounts. The Greek army positioned themselves in a phalanx, a fortification of encrusted spearpoints and