Who pays for out of town interviews

Who pays for away meetings Occupation chasing today is unique in relation to what it used to be-nowadays, it’s normal to cast an a lot more extensive net while looking for the ideal position, investigating accessible openings past your neighborhood town or close by city. While you’re scanning for work, you may experience a circumstance where you’ll need to make travel arrangements while booking a meeting. This raises a wide cluster of manners issues, not the least of which is the issue, â€Å"Who pays for the interview?† Like most things throughout everyday life, the appropriate response isn't totally highly contrasting. The primary concern is: it depends. Let’s burrow deeper.When you’re organizing a meeting, the HR staff or recruiting chief will know where you’re found dependent on the data gave in your resume. Truth be told, don’t be astonished if your first purpose of contact happens over an application like Skype or WebEx. If so, and things are workin g out in a good way, the subject of orchestrating an away meeting may come up during the conversation.If it comes up, give cautious consideration to what in particular is being said. You ought to get a genuinely away from of whether the business is happy to deal with the costs while masterminding a meeting. Actually, most-however not every forthcoming business are eager to get the expenses of an away meeting and will uninhibitedly talk about it, sparing you the possibly humiliating undertaking of bringing it up.When it’s clearIf they’re ready to repay you for the costs, a basic behavior rule to adhere to isn't to â€Å"go for broke†-top of the line travel and inn lodging and costly suppers fit for sovereignty won't consider well you when an imminent boss is settling on an employing choice. Some will even venture to such an extreme as to mastermind the entirety of the subtleties for you. This could be a decent sign that the organization is the kind of manager who deals with its workers (or possibly they’re simply attempting to charm you).Other times, the business will make the contrary clear-that you’re on the snare for costs if you’re keen on going for a meeting. If so, don’t let them see you sweat! (Truth be told, they might be hoping to measure your response and adaptability in this circumstance.) However, do set aside effort to gauge the advantages and disadvantages of the situation.Since a meeting isn’t an assurance of a bid for employment, you have to ask yourself the accompanying inquiries: Is this planned cost a beneficial interest in your profession future? Will this be a one-time just cost, or will going on your dime be a continuous reality in the event that you land the position? Will you need to migrate on the off chance that you land the position (and who might pay for that?), or will you have the option to work from home? Your responses to these inquiries will assist you with deciding if the cost of an away meeting bodes well for you.When it’s not clearSometimes, things aren’t so clear. You may have a completely positive encounter during your underlying contact with a planned boss and the two sides consent to make the following stride and organize an up close and personal meeting. Notwithstanding, as the discussion advances, the subject of who’s paying doesn’t appear to be coming up. In the event that you wind up in this circumstance, you have two options.Option one: You can ask, courteously, if you’re answerable for the costs in question. This is a completely satisfactory inquiry, and whenever dealt with appropriately won't influence your remaining in the recruiting choice. On the off chance that they’re ready to take care of everything (maybe they just neglected to make reference to it, they are just human all things considered), ensure you follow the decorum counsel referenced already. Be that as it may, if you’re liab le for the costs, ensure you handle the news with effortlessness in the event that you truly need this activity. You ought to think about whether you’d be happy to pay for an away meeting before you even send your resume and introductory letter over, so you won’t need to perspire through a restless dynamic procedure in the warmth of the moment.Option two: You can decide not to bring it up and accept that you’re answerable for the expenses. This choice extras you the expected clumsiness of bringing this subject up (particularly when things are going so well!), however you might be tossing a cost in your lap that the business would have happily gotten on the off chance that they would have quite recently made sure to make reference to it!The base lineThe ascend in away meetings is an impression of the advancing work environment, with innovation making it simpler for individuals to work remotely (as indicated by an ongoing report by Global Workplace Analytics, in a ny event 20â€25% of the workforce works from home in any event part of the work week), and organizations anxious to source the absolute best accessible ability paying little heed to geological area. On the off chance that you’re seeking after work that may involve an away meeting, utilize the methodologies introduced here to deal with any conceivable situation with regards to who’s paying for it.

Human Resource Planning Workforce Analysis

Question: Examine about theHuman Resource Planning for Workforce Analysis. Answer: Presentation Human asset arranging is the definition of ways that can make it feasible for an association to accomplish its set objectives while improving the utilization of benefits simultaneously (Mathis Jackson, 2010). The essential objective of human asset arranging is to find some kind of harmony between the accessible occupations and accessible HR to kill lack or abundance of the workforce. A decent human asset plan would guarantee that an association accomplishes its set targets (Rothwell Kazanas, 2003). Workforce Analysis Sunnyside emergency clinic offers intense consideration administrations. The emergency clinic has utilized exceptionally talented experts to offer clinical types of assistance to the patients. Regardless of the nature of administrations accessible to the patients, it is intriguing that they dont pay for the administrations. Coming up next are a portion of the experts who guarantee that the clinic can embrace its command in the network: Unit Clerk-the Clerk is the assistant at the emergency clinic. She additionally offers administrative help and data to the nursing units are different clinics Administrators: These are ranking directors who complete administrative work at the medical clinic. The Sunnyside medical clinic extends that they would select four officials somewhere in the range of 2014 and 2019. The administrators direct other junior nursing chiefs. There is likewise a segment of the staff who are encased in a room and are I charge disinfection of careful hardware. Authorized medical attendants: These are medical caretakers who are more instructed than the conventional medical caretakers. There is no opportunity in this situation right now. In any case, it is anticipated that the medical clinic the executives would enroll 250 authorized attendants between the year 2014 and 2019. Physiotherapists: These are specific individuals who are liable for the restoration of physical wounds among patients. The medical clinic has ten perpetual opening of physiotherapists. The enrollment projection for the situation somewhere in the range of 2014 and 2019 is 20. Drug specialist: This is a person who relegates meds to patients. The drug specialist additionally oversees drugs and different antibodies to patients. At long last, these experts are accountable for the running of the emergency clinic drug store. The emergency clinic has a perpetual opportunity of 8 drug specialists. It is anticipated that10 drug specialists would be selected somewhere in the range of 2014 and 2019. Enlisted care assistant: This is a less prepared proficient who offers a few administrations in medical clinics. This gathering of individuals is prepared in under one year and offer administrations, for example, changing of patients bed materials, taking care of the [patients and dealing with the patients on every day events. Enrolled Nurse: This is a certificate graduate medical caretaker who has been prepared in the treatment of progressively complex obligations inside the emergency clinic setting. These medical caretakers consistently record for additional investigations, after which they have practical experience in crisis, pediatrics, activity room and ICU. There is an insufficient number of medical attendants at the emergency clinic. Right now, there are 100 opportunities. It is additionally anticipated that Sunnyside emergency clinic would enlist 1300 enrolled nurture between the year 2014 and 2019. Nursing Manager: This is somebody who had prepared as a medical attendant and has controlled nursing administrations over a significant stretch. The nursing chief is responsible for the nursing unit and all the wards inside the emergency clinic set-up. There are two opportunities for the situation at the emergency clinic. To relieve the worry, it is anticipated that the clinic would enroll a normal of 80 nursing directors somewhere in the range of 2014 and 2019. Understudy nurture: this is an undergrad understudy in a clinical course. These understudies report to medical clinics where they are relegated to offer nursing administrations. The medical clinics specialists and doctors are paid their pay rates by the service of wellbeing of Ontario for the administrations that they give to patients at Sunnyside Hospital. The emergency clinic itself pays the remainder of the clinical staff their pay rates. All the representatives of the medical clinic are individuals from an association aside from the nursing directors, the nursing understudies, and the official individuals Finish and Discussion of the Final Exam Projection Template The last test of the year fruition format is composed in a Microsoft Excel. The format has segments that show human asset gracefully and those that show human asset request. In favor of human asset gracefully, there are anticipated retirements which require finance record and afterward the utilization of retirement adding machine. There is likewise anticipated turnover. The section requires for end of the database and augmentation of the 2013 turnover by five years. There is likewise a segment of anticipated net leaves where finance database is sifted. We additionally have the segment of anticipated newcomers. This section utilized the order Recr Proj and Curr Vacancies. The order prompts an exchange of records to the segment C. On the opposite side of human asset request, there is a section of current opportunities and that of anticipated development. The segment of current opening likewise utilizes the order of Recr Proj and Curr Vacancies to move records to the section B. The section of anticipated development, then again, utilizes development intends to decipher numbers with the goal that they can fit into the segment in the activity request. The last test of the year layout is then fit for delivering the net gains just as the overall deficits. Proposals It is vital for a medical clinic to make projections which are feasible. There are a few occupations at Sunnyside clinic where there are no opportunities by any stretch of the imagination. Be that as it may, the distributed enrollment projections for the positions are in overabundance. The medical clinic the executives must factor in the accessibility of monetary assets during the enrollment forms. Enlistment of overabundance human asset would imply that the clinic would slice on some fundamental financial plans to pay rates. Issues of extreme or lacking human asset ought to be maintained a strategic distance from at all expense. References Armstrong, M. (2006). A Handbook of Human Resource Management Practice. Kogan Page Publishers. Bhattacharyya, D. K. (2009). Human Resource Planning. Exceed expectations Books India,. Deb, T. (2006). Key Approach to Human Resource Management. Atlantic Publishers Dist,. Mathis, R. L., Jackson, J. H. (2010). Human Resource Management. Cengage Learning,. Value, K. (2013). Main concern Results from Strategic Human Resource Planning. Springer Science Business Media. Reddy, M. S. (2005). Human Resource Planning. Revelation Publishing House,. Rothwell, W. J., Kazanas, H. C. (2003). Arranging and Managing Human Resources: Strategic Planning for Human Resources Managemen. Human Resource Development,. Turner, P. (2012). HR Forecasting and Planning. CIPD Publishing,.

Philosophical and Sociological aspects of crime and punishment Term Paper

Philosophical and Sociological parts of wrongdoing and discipline - Term Paper Example gy on wrongdoing contends that neither a state nor a general public can exist without guidelines as he states, without law there does not have a state or a general public. For this situation, the law frames a basic establishment to a general public and subsequently authorizing a law implies the insurance of the general public. Any person who abuses the law will in general lose the privilege of being an individual from the general public and is against social request, and as are result must be rebuffed (Murphy, 1994). The philosophical reflection on discipline helps criminologists, sociologists, and penologist to recognize the rehabilitative impacts of projects common in detainment facilities. Kant offers significant information according to the domain of discipline and wrongdoing. As indicated by the advocate, discipline is approved if the criminal has carried out a wrongdoing. Numerous speculations differentiate this contention, for example, and the Utilitarian methodology exhibits that discipline is vindicated by the great it brings to the network. In Kant’s see, the utilitarian hypothesis is impossible in different manners. He accepts that the hypothesis regards guilty parties as intends to the benefit of other people and that the hypothesis may rebuff honest lives because of the great it goes to the general public. To Kant, this is a kind of shamefulness, and in reference to his contention, he states how much the wrongdoers ought to be rebuffed. The offense carried out by the wrongdoer should rise to the discipline given to the lawbreaker (Murphy, 1994). Kant’s retributive hypothesis related with discipline declares that revenge isn't defended by any great result, however by the offender’s blame. Wrongdoers must compensation for their crimes; in any case injustice as happened. Subsequently, the discipline given to the guilty party must fit the wrongdoing submitted and along these lines the discipline for ending the life of another individual is equal to the passing of the killer (Ripstein, 2009). Subsequently, discipline must be controlled consistently on the grounds that an individual has carried out a wrongdoing. As per Kant

Vampire as Christ Antithesis and Religion in Bram Stoker’s Dracula - Literature Essay Samples

Within the pages of Bram Stoker’s Dracula, the author explores concepts of love, darkness, and sexuality as well as the theme of good versus evil. The most powerful theme surrounding the infamous vampire, however, is that of mortality. Death and the possibility of life after death permeate the novel in its most Gothic moments as the text draws attention to one central idea: what does it mean to live forever? That question is asked time and time again through the journey that each character takes and their fears of the strangeness that surrounds them; those fears all revolve around a single being in the shape of a man. Indeed, Count Dracula is in possession of miraculous powers, including access to everlasting life, and the effect of his presence on all those with whom he comes in contact is undeniable. He brings with him the realization that the afterlife may be even more frightening than death itself. In that way, it would at first appear that Dracula is portrayed as the devi l, bringing revelations of darkness rather than light. Upon closer examination, however, Dracula’s essence is so specifically juxtaposed with that of the traditional perception of Christ that the Count’s representation may be read as something more profound. The character of Dracula is meant to be Stoker’s Dark Christ, the ultimate critique of heavily organized religion and the Catholic Church, too antiquated for the modern age but not without a strange power. He is a parody with weight, a cautionary tale for those who are all too willing to surrender their souls to what dreams may come in the afterlife. This figure is not Satan, but rather a character esteemed as a god, a character in possession of many Christlike powers, a character offering eternal life. In order to dissect the intention behind Dracula’s representation as a Christlike figure and the symbolism involved in that representation, one must first examine the ways in which the character of the Count is described and the context for said descriptions. Dracula employs many traditionally Christian concepts, including the idea of conversion, the symbolic importance of blood in religion and literature, the significance of antiquity, and of course the connection with eternal life. Even more fascinating are the ways in which Dracula relates to the â€Å"Wandering Jew† archetype of Stoker’s time; that stock character was likely considered the ultimate anti-Christian or heretic, and it provided Stoker with his most convincing vampire-as-savior correlation. Dracula’s portrayal as a Dark Christ, however, is not evidence enough to conclude the final intent behind Stoker’s novel the direct references to the Christian faith in Stoker’s work as well as the style in which those references are written must also be examined in order to make an accurate assessment of the novel’s overall tone. Religious faith and expressions thereof are critical, a s are the many appearances of religious figures and symbols and the implied conflict between Catholicism and Protestantism. All of these elements of the novel are important in unmasking the fantastical character of Dracula not for the sake of exposing the devil, but rather for illuminating the Dark Savior that he is intended to be. The Character of the Vampire: The â€Å"Uncanny† Wandering JewDuring the time in which Bram Stoker penned Dracula, a social movement was afoot in his native United Kingdom. Jewish families, once barred from England, were now coming to the country in droves. Eastern Europe, the primary home to Judaism at that time, had seen a massive exodus of its citizens for several reasons, and immigration to England was the most popular choice. Between 1881 and 1900, the number of foreign Jews in England increased by 600 percent, a significant change in the status quo that left many English citizens uneasy (Zanger 34). A Christian nation, England’s tradi tional source of religious conflict had been the tension between the older traditions of the Catholic Church and the newer ideas of Protestantism and the Church of England. In the face of Jewish immigration, however, such tensions did not seem so great, and the Christian populace was to some extent united by its shared suspicions of the East. The art of the time reflected that concern. The most popular play of the era was Trilby, a production that prominently featured an infamous character named Svengali, who embodied the sinister image of the â€Å"Wandering Jew† that existed in the frenzied minds of the English. Hailing from the East with the power of mind control, Svengali manipulates all of the characters that he encounters by surreptitious means. Trilby thus affirmed its audience concerns about the danger of Wandering Jews by tapping into the allure of a dark foreign force. Stoker, who served as friend and assistant to actor Henry Irving, was almost certainly exposed to that play and the frenzied mentality of the time, and he may have written his novel in order to capture that mass audience appeal (McBride 2). It is just as possible, however, that the perceptive Stoker recognized the social significance of the archetype of the Wandering Jew and used it as a blueprint for what could be considered the antithesis to the traditional Christ figure. Like Svengali, Dracula has been described as a â€Å"devilish Semitic middleman,† a shyster who â€Å"dupes the innocent into a blood pact in return for a king of immortality† (McBride 1). He exerts control over the minds of his associates, and he is sinister and dark in appearance. If contemporary audiences automatically identified a clichà ©d â€Å"Wanderer† from the East as the polar opposite of refined Christianity, then Dracula’s obvious connection to such a wanderer leads naturally to the conclusion that the Svengali-esque vampire is indeed the Antichrist that he resembles. Furthermore, it is possible that Stoker intended his presentation of a vampiric wandering Jew to play into the Gothic convention of â€Å"the uncanny† that is, the depiction of an element that resembles something â€Å"normal† or â€Å"human† but is nonetheless in possession of a nearly indecipherable quality that makes said element peculiar. In short, an uncanny character may be human yet not human at all, which can be said of the vampire and also of the Wandering Jew. In Stoker’s time, the concept of Judaism was foreign and yet familiar as the basis for Christianity. Due to the lack of any serious religious challengers to Christianity in the United Kingdom, the Jew appeared as the only non-Christian, and therefore the one opposition to the Church; such opposition was therefore a new concept to English Christians (with the exception of the Protestant-Catholic conflict). At the same time, there was an underlying sense of the uncanny in that Judaism share s its foundations with Christianity, and Jews were now pledging allegiance to the same land as Christians. Of course, these ideas result once again in the uncanny character of the vampire human yet not human, Jewish and thus anti-Christian, anti-Christian and yet strongly associated with Christ himself. The regal vampire figure rests so neatly on the negative spectrum of all things properly â€Å"Christian† in this case, an evil Eastern European Jew that he is a parody of what was expected of Christian nobility at the time. Jules Zangler concludes in his essay â€Å"A Sympathetic Vibration: Dracula and the Jews† that the â€Å"insistent Christian versus anti-Christian cast Stoker impressed upon his vampire story gave it particular relevance at a time when so many non-Christians were intruding so visibly and threateningly into the popular consciousness† (37).The Character of the Vampire: The Correlation with Christ HimselfDracula’s association with Chri st is embodied in many different ways, beginning with the traits he shares with the â€Å"Wandering Jew,† which can also be applied to a different perspective. Dracula may be viewed as the ultimate single-soul missionary. His home, which is essentially a shrine for times gone by, is the altar at which he worships; he reveres not a higher power, but rather the glory of bygone days when he was at the height of his power, as he reveals to Jonathan Harker when the two of them discuss history (Stoker 31). Dracula’s massive mansion is abandoned but for his lusty brides and is thus implied to be a sort of commune for vampires, of which there seem to be few in the modern world. As Christ says in the Gospels, in his Father’s house there are â€Å"many rooms† (John 14:2), empty spaces awaiting the welcome of eager souls and new additions additions such as Jonathan Harker. Dracula’s mansion is his protected dwelling place, a place where he is in control. He takes the chance to leave it, however, in order to begin his conversion of souls to his preferred afterlife, spreading his gospel of death as he goes, calling those to follow him just as Jesus called his apostles. He summons Lucy from her bedroom to his grasp, and she becomes his subject. He summons Renfield to be his servant in preparation for his arrival, and the madman presumably transforms into the equal of Biblical prophets, referring to the Count’s arrival as the coming of the â€Å"Master† (Stoker 56).Like Christ, Dracula thrives on conversion, which can only be performed once his prospect (or victim) submits him- or herself to the process. This method involves the exchange and the corruption of blood, though he would probably view it as purification. Blood as a motif is especially vital in observing Dracula’s relationship to Christianity â€Å"as Jesus Christ’s literal and transubstantiative blood has been a mainstay of the Christian Church, the vampire figure’s insertion within the paradigms of Christianity is a logical extension† (LaPerriere 1). Rather than exchanging his own blood for the lives of his subjects, Dracula performs the ultimate perversion of transubstantiation by extracting blood from his people in order to sustain himself as well as bring his converts into the fold of vampirism. Just as the traditional Christian relies on the blood of Christ to save him from eternal suffering, so does this â€Å"Christ† rely on the blood of his â€Å"Christians† to survive. In a mirroring moment, the transformed Lucy, declared dead and now a vampire, is discovered feeding on the blood of a child (Stoker 103). She is a representation of reverse motherhood, an image of a woman taking life rather than giving it. That portrayal smacks of commentary on the nature of Christianity and calls attention to the weight that both the Catholic Church and Protestantism place on tradition. Bram Stoker’s e ra was one of discovery and invention, a time in which the status quo seemed to be quickly and constantly evolving. Daily life and philosophy during that time may have proven to be challenging when compared with organized religion, a prevalent element of English life that did not appear to be evolving at the same pace, and which may have even slowed the advance of social constructs and scientific discovery. The sapping of lifeblood from humankind in order to maintain power may have been a theme intended to strike a chord with English readers frustrated by the disharmony of progress and convention. Once again, all of this commentary is made flesh in the character of Dracula and the function of the vampire. Interestingly, in selecting his intended, the Count tends more towards women. Dracula’s attraction to women seems natural enough since he appears in human male form; it may nonetheless be valuable to note that he primarily targets women rather than men to join him in his vam pirism. For example, he spends much time charming and wooing Lucy from her pleasant life into his trap, and three women his brides reside in his castle. Dracula toys with Renfield, but he does not seem interested in Renfield’s fate, ultimately crushing him for his betrayal. It is also worth mentioning that the Count keeps Jonathan trapped within his castle for some time, probably with designs on his soul. Jonathan’s diary, however, reveals effeminate qualities as well as his strange fear and affection for his host. Still, the Count never acts on his desire for Jonathan to join him as he does with the women of the story. This preference for females could be construed as a reference to the Bible’s depiction of the symbolism inherent in marriage between men and women as a representation of humankind’s closeness with God; in the parable of Christ, Jesus is portrayed as the bridegroom and humankind as the bride (John 3:29). The two are destined for each othe r just as Lucy is destined to answer the call of the elusive vampire and join him forever in his own personal eternity. As with the traditional perception of Christ, Count Dracula offers his version of â€Å"love† and eternal life. Of course, the fine print details the fact that this love comes only through physical and mental pain and this eternal life comes in the form of a hellish, never-ending existence on earth. The vampires in the novel do not appear happy in their survival, but lonely. Dracula’s brides seem bored and thirst for new flesh, and the appearance of Jonathan in their territory is cause for great excitement. Dracula himself seems melancholy at times as well, clearly enjoying Jonathan’s company and insisting that he stay within the confines of the mansion. In the time leading up to her transformation, Lucy suffers her own pain with great difficulty, eventually surrendering to her new â€Å"life.† Turning to vampirism allows the convert to last forever, but in Hades rather than Heaven, in literal darkness rather than light. â€Å"On the one hand,† Christopher Raible observes, â€Å"such a desire denies any hope of a life after death. On the other, it devalues the meaning of life on earth† (2).Once again, this motif is far too specific to be coincidental in its references to the traditional ideas of conversion and Christianity. In the end, though the Count may have the ability to live forever, Dracula’s vampirism is equivalent to captivity. It is alluring in both imagery and concept, but the nature of the vampire is ultimately undesirable and meant to be feared; vampiric nature is much more capable of control than reason can hope to be. Is this an allusion to the Christian Church, perhaps a comment on the captivating essence of its history but the constriction of its nature? Could it be an indication of dissatisfaction with promises perceived as false or a disgruntled statement about what may have seemed like incestuous, overly contained fellowship within English churches at the time? The significance of the text may well respond to all of the above. The novel’s primary focus, however, appears to be the danger of powerful forces, especially if those forces have mysterious, indecipherable qualities much like those of Christian religion, a powerful society that, at Stoker’s time, generally rejected the advance of culture and thrived on the authority that the English government had bestowed upon it. Though Dracula’s pull is powerful much like that of the religious Christian community and Christ Himself as described in Scripture he does suffer and is ultimately conquered. Seemingly all-powerful, the Count struggles regardless, attempting to find his way in a new world in which he has little experience. Dracula has no place in a modern society, where documents may be exchanged at great speed, communication and transportation are advancing every day, and the wisdom of doctors and the scientifically savvy make the Count’s operations progressively more difficult to conceal. Jonathan documents his experiences with the Count to be pored over in the event that another must come face to face with him; Lucy is somewhat girded by the protection of medicinal service, the perceptiveness of her doctor fiancà ©, and the wiles of the knowledgeable Van Helsing, all of whom use modern technology. Dracula knows that in order to accomplish his goals, he must take leave of his castle-haven, but he spends a good deal of time in study and preparation for the journey as if reticent about attempting the trip. He keeps research materials in his library and learns from the studies of his unfortunate guest, Jonathan, about the inner workings of this new world; though he is successful at navigating it for some time, he cannot maintain his poise, and his undoing begins with the slaying of the vampiric version of Lucy, who is destroyed by the skills of no ne other than the doctor Van Helsing. Interestingly, it is not the pressure or horror of modernity that helps fight off Count Dracula, but rather knowledge of antiquity: it is the power of the ancient techniques studied by Van Helsing that proves to be Dracula’s undoing. Primitive in function, the vampire is met with his equal in his destruction and achieves the crude death of an old creature in an acknowledgement that what belongs to the past has no place elsewhere. It is curious that Stoker did not choose to do away with his great figure by way of technology; in keeping with the Christ-Dracula comparison, however, it seems like a fitting conclusion to the saga. Stoker is not condemning of history; he in fact encourages it to be examined and sees many uses for it. In his creation, the false and dangerous element of the past the Christ figure and the perceptions attached to him are finally vanquished by an examination of practicality from the past. It is only thanks to the past that one recognizes the value of the present, and only through failed experimentation that mankind is alerted to the solution that will lead to success. As John Steward states, â€Å"We learn from failure, not from success!† (Stoker 124). That may be the most pivotal sentiment found in Dracula: one can only overcome the mistakes of the past by confronting them; one may only elevate themselves by releasing the persistence of haunting. And indeed, â€Å"haunting† may very well be Stoker’s idea of Christianity’s method of staying afloat. In the end, its floating centerpiece the Christ is outdated and must be gotten rid of or altered in order for the glory of the new age to commence. Like Dracula, this god of the past is only a crack in the construction of a new edifice of beauty and social and scientific triumph. Religion As Presented in DraculaOne of the most interesting qualities in Dracula that supports the argument for the Count as Stoker’s answer to Christ is the distinct style in which the novel is written. In keeping with the grand tradition of Gothic storytelling, Stoker utilizes the gimmick of including stories within the story, each serving to reveal part of the overall tale of Count Dracula’s journey to London. This method is referred to as a â€Å"Chinese box structure,† and though it originated in the Gothic genre with Melmoth the Wanderer, in Dracula, its manner of expressing each character’s individual perspective, primarily through lengthy letters and official documents, draws very close comparisons to none other than the Bible. Though unified by one main purpose to tell the story of Jesus Christ and all that came before and after the stories of the Bible are revealed according to a great number of sources and perspectives. Descriptions differ, but they ultimately provide a cohesive viewpoint. Dracula functions the same way, revolving around the enigmatic, magical figure of darkness as perceived by multiple observers, and every observation culminates in a final agreement on the subject of his existence and ultimate destruction. Of course, this exploration of darkness is constantly associated with powerful imagery by casual readers: the caped vampire, a coffin made for slumber, a Gothic castle in Transylvania. The most memorable images of all, however, are religious in tone: primarily the crucifix meant to stave off the approach of vampirism. But it is not Christ or Christianity that the Count shrinks from, as mentioned previously; rather, it is only symbols of the past. Once again, at close examination one makes the discovery that this imagery is just that: imagery. Pomp and circumstance has long been associated with Christianity, especially within the Catholic Church, and here, in keeping with Stoker’s depiction of religion as belonging to an older age, the Church is evaluated as mere antiquity. Here it is boiled down to symbols that affect only the Cou nt and his memories of past lives. Another very striking issue with regard to the style of Stoker’s novel lies within what is not mentioned. There is a peculiar absence in the novel of any exploration of religious faith. True faith in God, Christ, or vital trust placed in organized religion is not explored or rewarded. Though the story is rife with the aforementioned religious overtones and though Jonathan and Mena are prone to sayings such as, â€Å"We are all drifting reefwards now, and faith is our only anchor† (Stoker 254) there is very little specific mention of Christianity or its ability to battle the evil at hand. Mena and others mention prayer, but only in passing and often in prattling, helpless distress, not with the confidence one would expect to see placed in such a spiritual tool. The country nuns who provide the only significant connection to the Church are trustworthy but inconsequential. While they are helpful in nursing a scarred Jonathan back to he alth, they are horrified by his staggering tale of the Count’s castle and impotent with regard to the vampire’s defeat. That is an unusual observation at first, especially considering the dramatic Catholic imagery used throughout the tale. There is no religious ritual or power of God, however, that battles the unexplained supernatural power of Dracula; in the end he is slain by mortals, thus furthering the conceit that he and his converts are the only supernatural forces found in the story. In Stoker’s world, the Church holds no real power, a fact that enriches the notion of the novel as a challenge to the oppressive tradition of organized religion and strengthens the figure of Dracula as a perverse interpretation of Christ himself.Still, there is a small but fascinating thread running throughout the story that draws a certain amount of attention to the relationship of the Catholic Church to the Protestant Church, and it appears as though Stoker is challenging h is readers to reassess their assumptions. Both Jonathan and Mena are moved by the care of the peaceful nuns, but even more interesting is Jonathan’s attraction and attachment to the crucifix that an old woman presents to him. After being in Dracula’s home for a time, Jonathan writes: Bless that good, good woman who hung the crucifix round my neck! For it is a comfort and a strength to me whenever I touch it. It is odd that a thing which I have been taught to regard with disfavor and as idolatrous should in a time of loneliness and trouble be of help. Is it that there is something in the essence of the thing itself, or that it is a medium, a tangible help, in conveying memories of sympathy and comfort? Some time, if it may be, I must examine this matter and try to make up my mind about it† (Stoker 53).Finally, in order to bring about Dracula’s defeat at the end of the novel, each of the characters come together to battle their common enemy in spite of their many different religious affiliations. In a novel so heavily laden with religious overtones, this fact does not seem insignificant. M. West, in her article â€Å"Hauntings in the Church: Counterfeit Christianity through the Fin-de-Sià ¨cle Gothic Novel,† suggests that Stoker felt as though â€Å"the ideas of redemption and salvation†¦ were more important than what he perceived to be trivial arguments about doctrinal variations† (West 35). If this is so, then Jonathan’s affiliation with Protestantism and his attraction to the Catholic Church are also not without significance in fact, his feelings aid the argument that Stoker’s construction of a Christlike figure is meant to illustrate the failure of organized religion to succeed, suggesting that faith and goodness rather than staunch theology and law will be triumphant in the end.ConclusionIn conclusion, with a bit of perspective and research, the typical equivocation of Count Dracula to the devil grows less and less certain, and indications that the definitive vampire may draw more comparison to the Christian savior’s antithesis become more apparent. Though no one may ever know whether Bram Stoker’s true intent for his Gothic masterpiece was to criticize the outdated yet powerful functions of Christianity that permeated his country, there are many hints to that effect. Regardless, the vampire has been slain. There is no place for him in the modern world, Stoker implies. Respect for the useful things that the Church has given us is important, but one must not allow oneself to be suckered in by the romantic idea of this figure, this perverted Christ, who promises eternal life only to capture those who trust him and use them for his own purposes. In the modern age, there are great plots at work, and without the accessibility of a Chinese box-style guide to the world, it is important to be on guard so as to not to be overtaken by the power of the past. Bibliography 1. Evans, Elrena. â€Å"THERE’S POWER IN THE BLOOD.† Christianity Today 54.2 (2010): 36. MasterFILE Premier. EBSCO. Web. 13 Apr. 2010.Evans highlights the current and consistent obsession with the undead, ultimately concluding that a Christian’s interest in such topics is not negative but positive; through fictional vampires like Dracula, one can explore and study human nature. She also asserts that Dracula is an Antichrist figure (Elrena 1). This article will be useful as the correlation between Dracula and the concept of Antichrist is an element I wish to explore.2. Herbert, Steven G. â€Å"Dracula as metaphor for human evil.† Journal of Religion and Psychical Research 27.2 (2004): 62-71. ATLA Religion Database with ATLASerials. EBSCO. Web. 13 Apr. 2010.Herbert draws attention to the concept of Dracula as the ultimate in human evil, defeated only by the power of faith and religion. He says that figures such as Dracula help â€Å"regular people† e xamine â€Å"our own shadow in a less threatening way† (Herbert 1). Stoker’s work allows us to confront our own human nature by bringing out our more outrageous and negative traits, allowing us to assess our shortcomings and bring balance to our perspectives. This is essential, as an unbalanced personality is a dangerous one; such â€Å"monsters† in history as Hitler and Stalin were human beings who became overpowered by archetype. Dracula, Herbert says, â€Å"most concisely presents to us a metaphor of human evil distilled to its most insidiously perfect form† (Herbert 1). This and Raible’s article highlight what I want to explore further in my paper; the concept of Dracula as the ultimate evil, and the question of whether he represents human evil or the opposite of Christ in morality and mortality.3. LaPerriere, M. â€Å"Unholy transubstantiation: Christifying the vampire and demonizing the blood.† Diss. Universite de Montreal (Canada), 20 08. Dissertations Theses: Full Text, ProQuest. Web. 13 Apr. 2010.LaPerriere focuses on the importance of blood as sustenance to the traditional vampire, reminding readers that this sustenance, â€Å"as Jesus Christ’s literal and transubstantiative blood, has been a mainstay of the Christian Church, [and] the vampire figure’s insertion within the paradigms of Christianity is a logical extension† (LaPerriere 1). She also reminds readers that during Victorian times the loss of blood was equated with disease, and that such disease could be spread sexually, and therefore sinfully. I will use this article in my paper when equating Dracula with the Christ/Antichrist archetype.4. Marks, John. â€Å"In Dracula, a Metaphor for Faith and Rebirth.† All Things Considered, 21 March 2008. Research Library Core, ProQuest. Web. 13 Apr. 2010.Author discusses Dracula as the key to Christian conversion, drawing attention to what he describes as the â€Å"great tension of t he book,† which he sees as â€Å"the struggle between rational fact and supernatural reality† (Marks 1). I want to use Marks’s article here because of the struggle with the supernatural, something that pertains to faith and religion, also belonging in the supernatural category with Dracula, another element that aligns his existence with Christ.5.McBride, William Thomas. â€Å"Dracula and Mephistopheles: Shyster Vampires.† Literature Film Quarterly 18.2 (1990): 116. Academic Search Complete. EBSCO. Web. 13 Apr. 2010.McBride’s piece offers further explanation and evidence as to Count Dracula’s alignment with the archetypal â€Å"Wandering Jew.† He compares the novel to the 1931 film version and then insists that Dracula is presented as a â€Å"devilish Semitic middleman,† a shyster who â€Å"dupes the innocent into a blood pact in return for a king of immortality† (McBride 1). This character is comparable to Faust’s Devil and, to some extent, Shakespeare’s Shylock. McBride also highlights the comparison of Dracula to Goethe’s Mephistopheles and concludes that the Count has joined â€Å"the shadowy group of Shylock and Fagin and Mephistopheles, who, as crypto-Abrahams, induct some gullible goy into a blood-inscribed covenant.† This is useful for my essay because it is another source aligning Dracula with the archetypal Jew, the strongest opposition to Christianity as the Victorians perceived it. 6. Philadelphia, D. and Ressner, J. â€Å"Wake Up and Smell the Garlic.† Time 163.17 (2004): 20. Academic Search Complete. EBSCO. Web. 13 Apr. 2010.The writers highlight the popularity of Dracula and vampirism over the past two decades. They suggest the reason for this is the presence of a religious divide in the media (Philadelphia Ressner 1). This is useful for my essay as it reminds the reader that religious concerns seem to trigger the popular vampire trends, both now and in Stoker’s time.7. Raible, Christopher G. â€Å"Dracula: Christian heretic.† Christian Century 96.4 (1979): 103-104. ATLA Religion Database with ATLASerials. EBSCO. Web. 13 Apr. 2010.In Raible’s article, he claims that the themes of Dracula are direct â€Å"mirror† inversions of Christian values. He reminds readers that the presence of Christianity in the novel is merely symbolic, such as the communion wafer that has the power to cleanse. Aside from the Eucharist, a wafer is not in or of itself holy. â€Å"To suggest that objects may themselves radiate divine power is to reduce religion to magic† (Raible 1). Mostly, Raible is preoccupied with the concept of Dracula as the ultimate heretic, â€Å"taking life so that he may live† as well as living forever in eternal life, but only on earth and shrouded in darkness. To want to live in this world the same way forever is a Christian heresy. â€Å"On the one hand, such a desire denies any hop e of a life after death; on the other, it devalues the meaning of life on earth† (Raible 2). (Also see Herbert.)8. Stiles, Anne. â€Å"Cerebral Automatism, the Brain, and the Soul in Bram Stoker’s Dracula.† Journal of the History of the Neurosciences 15.2 (2006): 131-152. Academic Search Complete. EBSCO. Web. 13 Apr. 2010.In this essay, Stiles illuminates the connection between Stoker’s Dracula and neurology, a subject on which Stoker had vast knowledge. His composition notes for Dracula include information on somnambulism and trance states and explore theories that scientists at the time were still developing most importantly, the concept that human behaviors were not so human after all and were in fact merely reflexes of the body. By using Dracula as a catalyst of trances and mind control, Stoker â€Å"dramatizes the pervasive late-nineteenth-century fear that beings are soulless†¦Ã¢â‚¬  (Stiles 3) and motivated only by physical and physiological reactions. This is applicable to my paper because it refers to the soul, an important proponent in Christianity and in Dracula.9. Stoker, Bram. Dracula. New York: Barnes Noble Classics, 2004. 448. Print.10. West, M. â€Å"Hauntings in the Church: Counterfeit Christianity through the Fin-de-Sià ¨cle Gothic Novel.† Diss. Liberty University, 2009. Dissertations Theses: Full Text, ProQuest. Web. 13 Apr. 2010.Using the comparison of three Gothic novels, West explores the concept of the Gothic genre as a response to religious turmoil. Stoker, she suggests, thought that â€Å"the ideas of redemption and salvation through Christ were more important than what he perceived to be trivial arguments about doctrinal variations† (West 35). She also points out that in the novel the characters manage to battle a common enemy in spite of their many different religious affiliations. This article is fascinating and pertains to my subject of religion in Dracula.11. Zanger, Jules. †Å"A Sympathetic Vibration: Dracula and the Jews.† English Literature in Transition, 1880-1920 34.1 (1991): 32-44. Academic Search Complete. EBSCO. Web. 13 Apr. 2010.Zanger discusses the context of Dracula and the state of religious society at the time. Jews were being let back into much of the United Kingdom from Eastern Europe, and the sheer magnitude of their immigration was overwhelming and worrisome to Western Europeans, who saw them as dirty and threatening. A popular play at the time was centered around the devious character of Svengali, meant to embody the clever evil that many Europeans perceived the modern Jew to be. Stoker may or may not have drawn inspiration from this play; his business associate was an aging actor who was eager for choice roles, and Dracula may have been conceived to give Svengali competition. The characters of Svengali and Dracula are very similar to one another, as well as to the â€Å"Wandering Jew† stereotype that emerged at this time: each hail from the East and relocate to the West; each is in possession of psychic powers used to assert control over others; and each is apparently well-off and aristocratic, with similar appearances (35). Stoker also gave more literary weight and power to the roles of the iconographic â€Å"Christian† elements in his novel than had been lent to preceding vampire tales (36). The â€Å"insistent Christian versus anti-Christian cast Stoker impressed upon his vampire story gave it particular relevance at a time when so many non-Christians were intruding so visibly and threateningly into the popular consciousness† (37).

Cause of the Civil War - 1296 Words

History 11 12/17/2006 The root causes and precipitating events that led to the Civil War (1861-1865) The Civil War between northern and southern states was a consequence of contradictions of two social systems inside the country. At the basis of these contradictions was a question of slavery, completely determining economic and political interests of South. North strived to enforce Federal government power to protect their own economic stability. As a result the South wanted a separation and the North was determined to keep the country unified. Therefore, besides slavery as a main root cause of the conflict, there were other causes as economic differences and political events which led to the Civil War. The independence from†¦show more content†¦After 1808 when slave import was prohibited (though still about 250,000 slaves were imported illegally) the South became the main source of slaves supply. The level of imported goods in the South was great at that time to support all needs of rich plantation slave owners. This export-import trade was the source from which South derived its wealth. The economic power of the South blossomed. As the slave population grew (by 1860 there were about 4 million slaves) the political presence of the South grew as well based three-fifths representation. Thank to slavery the South became a very strong, powerful structure. At the same time the South believed that the North had been pulling their capitals using different kind of tariffs or law / legal obligations. Therefore, the Tariff of Abomination (1828) which taxed import goods was extremely painful. Actually the proposal for this Tariff was made by southerners in Congress to turn southern population against the North in order to support the election of Andrew Jackson who supposed to be on southern side. In 1832 South Carolina resisted the collection of Federal tariff but had to agree because the President at that time Andrew Jackson threatened to send troops and push the collection. In 1850 there was another attempt of the southern states to secede and again, then another President, Zachary Taylor, threatened to send the army. The goal of the South was to establish the US as aShow MoreRelatedCauses of the Civil War951 Words   |  4 PagesCAUSE OF THE CIVIL WAR In 1860, the world s greatest nation was locked in Civil War. The war divided the country between the North and South. There were many factors that caused this war, but the main ones were the different interpretations of the Constitution by the North and South, the Kansas-Nebraska Act, and the arrival of Lincoln in office. These factors were very crucial in the bringing upon of the destruction of the Union. They caused immediate war. 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The divide finally became so great, that the United States split into the Confederacy (South) and the Union (North), and fighting erupted. â€Å" â€Å"The Civil War,† Randall Jimerson observes, â€Å"became a total war involving the entireRead MoreThe Causes Of The Civil War1238 Words   |à ‚  5 PagesGalindo Mr. Scheet AP U.S History 5 November 2017 Unit 4 Essay The initial causes of the Civil War have been previously discussed and analyzed by historians, but have remained one of the most controversial debates, due to its numerous causes that created the most devastating war in American history. The country had been avoiding the disputes that would later become the causes of the civil war for decades. The Mexican War is proof that the issue of slavery was put on hold by President James K. PolkRead MoreCauses of the Civil War1489 Words   |  6 PagesThe Causes Of The Civil War The Political War The North and South fought over politics, mainly the idea of slavery. 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Oedipus The King By Sophocles - 913 Words

In the play, Oedipus the King written by Sophocles the main character Oedipus goes through many tragedies that presents him as serious and superior to ordinary man. Oedipus’ character does not show how he is like an ordinary person. He is shown as a hero who is greater to the ordinary man then again sometimes, he is view to be inferior to the ordinary man. Throughout the play, Oedipus plays blindfold. Oedipus character acts more as if he has no part in the situation that occur. When Oedipus opens the search of the death of King Laius. That is the first step toward his downfall. Oedipus then covers up the murder when he hears the news. The investigation leads Oedipus’s discovery of more information about the murder and his fate. Oedipus is the solver of the sphinx riddle; the riddle was What goes on four feet in the morning, two feet at noon, and three feet in the evening? When Oedipus travelled to Thebes and the sphinx posed the riddle to him. His answer was a â€Å"human being† because a human walks on all fours, on two legs as an adult and with a walking stick when old. Jocasta is superior to the â€Å"ordinary† girl, women, mother and wife. Even though she is the queen of Thebes, it is not as beautiful as it sounds. When she was young she was first married to King Laius, their marriage was a happy one. When she was with King Laius they received a prophecy. The Prophecy stated, â€Å"King Laius would be murdered by his own son.† So Jocasta has a very hard decision to make which isShow MoreRelatedOedipus The King By Sophocles848 Words   |  4 PagesOedipus the King, written by Sophocles, follows the tragic story of a king named Oedipus who goes from an all-powerful ruler to a hopeless blind peasant. Oedipus the King was written as a play and performed in front of an audience. Sophocles shows in Oedipus the King that one cannot escape the fate of the gods. Throughout the play Oedipus struggles to find a solution and change all the troubles in his life. The play observes the story of Oedipus who defies the gods and through the journey e xperiencesRead MoreSophocles Oedipus The King1714 Words   |  7 Pagesâ€Å"ideal tragedy† is the play â€Å"Oedipus the King† written by Sophocles. In this play, Sophocles utilizes the concept of tragedy as well the theory of the importance of scenes of recognition and reversal to create a setting, tone, and mood throughout the play. Oedipus, the mythical king of Thebes, goes through a horrendous tragedy which includes moments of recognition and reversal. These moments are key to the fame and appreciation for the play, â€Å"Oedipus the King†. 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I will analyze several different sources that discuss fate and human agency in Oedipus the King and then proceed to build my original argument on the archaic debate. There has been a great dealRead MoreSophocles Oedipus The King Essay1960 Words   |  8 Pages This would have been excellent advice for the main character in Sophocles drama, Oedipus the King. However, the drama was written as a result of Sophocles life and the influence of the humanistic culture in which he lived. Throughout Sophocles life, he gained military knowledge as the son of a wealthy armor manufacturer and received an excellent Greek education with emphasis on Homeric poetry (textbook). Furthermore, Sophocles was very involved in politics and served as a treasurer, a generalRead MoreOedipus The King, By Sophocles1407 Words   |  6 PagesWhen we think about a tragic play or protagonist, most people would think Shakespeare for his common theme of his plays to end with a tragedy. 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The Way of Learning free essay sample

Throughout these past two semesters I have taught myself how to write better by learning from my mistakes. Coming to a realization that the more I write the more experience and knowledge I gain. By taking the time to analyze and look back on previous essays it showed me how I mature in my writing over this course. Developing stronger essays with the use of more formality, proofreading more carefully, great use of quotes, and many more attributes I find that showed my improvement. As I took time to look at two essay one being my most successful and the other the least successful I can see my strengths as well as weaknesses. The essay that is most successful is my persuasive essay â€Å"Staying Home†. This essay was assigned to me second quarter and I showed a tremendous amount of improvement. I had good use of quotes and evidence supporting my thesis. We will write a custom essay sample on The Way of Learning or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The most important part of the essay is the thesis; I had a strong thesis that showed my reader my purpose of the essay. Having a stay at home parent allows their children to properly develop good morals, obtain safety, create good study habits, and allow parents to be a bigger part of their child’s life†. The tone I used throughout the essay was formal and I avoided a non-academic tone. Many times writers use quotes without explaining them however, I elaborated each of the quotes I used. This essay was well organized and kept the reader intrigued. I established facts to support my argument for example, â€Å"Mary Eberstadt of the Hoover Institution offers a simple and straightforward answer: stay home with children. She has concluded that most of the problems of today’s youngsters—from biting toddlers to depressed middle-schoolers to out-of-control teenagers—can be blamed on out-of-the-house moms and absentee dads† (Blyth). In the essay I also learned how to counter my own argument which I feel enticed the reader to continue reading the essay. By having a counter argument and then a rebuttal my reader is aware that I know my facts and it only makes my argument stronger. All the claims I have made throughout my essay are supported by evidence of some kind presenting a well developed essay. Overall this essay was thoughtful and well-developed and is a good choice for my most successful essay. Looking back at previous essays I was able to see what I have learned and applied to my persuasive essay making it my most successful essay. In my previous essay my formality was not as strong in that at times I had use of â€Å"slang† words. I learned that my use of words in my essay contributes to how the strong the essay will be. In previous essays I tended to leave out quotes because, I did not realize they good be so powerful especially when writing a persuasive or informative essay. By using quotes it eliminates any type of doubt your reader might have. Earlier this school year I did not take outlining seriously, I felt that it would be easier for me to just write my essay from the top of my head. I came to find out that when I did not outline my essay had no organization and I kept falling short of words towards the end of my essay. I learned that by outlining prior to writing the essay, I allow myself to write a well-developed, organized, and thoughtful essay. The least successful essay would be my informative essay â€Å"Accept Different†. I consider this my least successful because I was not as sophisticated in my writing compared to my better essay. I used quotes however, there were not much. Repetition is a huge issue I have when I write; when I am trying to get a point across to my reader I tend to repeat it a lot. This drives the reader into boredom and eventually they will get tired of hearing the same thing over and over they will just stop reading. My essay was more generalized and could have been stronger if I focused on one topic and then elaborated on it. My topic for this essay was the psychological impact pop culture has on society today. Rather than focusing on one or two major topic my essay consisted of many topics which I feel was distracting and took away from the strength of the essay. It almost made it seem like I was just throwing topics out there and not taking the time to provide supporting evidence. When transitioning from one paragraph to another I could have used better transition sentences. Some areas that I could improve on are my use of quotes; quotes will allow me to have a stronger essay. Maintaining an academic tone is very important when writing. Rather than saying â€Å"don’t or won’t† I can be more formal and sophisticated by using â€Å"will not or do not†. My essay can use more careful proofreading and less repetition. I need to elaborate on my vocabulary so that I can avoid repetition. I need to avoid generalizations and be more specific in my writing. There are many areas which I can use improvement but by, taking the time to learn from this mistakes I am only making myself a better writer. Analyzing my essays has allowed me to learn what I need to change and improve on which allowed me to improve my writing and develop a stronger essay. Over the past two quarters my most successful essay was my persuasive essay â€Å"Staying Home† and my least successful essay was my informative â€Å"Accept Different†. I’ve learned from my informative essay and applied my knowledge to my persuasive essay then allowing me to create a well-developed, thoughtful, and successful essay. I learned that by reading more literature would expand my vocabulary and allow me to improve the sophistication in my writing. Taking constructive criticism and applying it creating a stronger paper. Overall, by observing and analyzing previous essays it has become clear to me that my writing continues to develop and mature over time.